Top Social Media Hashtags for Creative Business Owners

Hey Designers, one of our most popular posts is about Top Social Media Hashtags for Designers. We thought we’d continue to shed light on this topic, this time focusing on the best hashtags for creative business owners. We hope that these hashtags enable you to expand your audience. You deserve it!

Now onto the hashtags…

Top Social Media Hashtags for Creative Business Owners

#Business
#Entreprenuer
#Startup
#Strategy
#Startups
#Leadership
#Innovation
#Success
#Ecommerce

Use a mix of broad and specific hashtags.
Posts with broader hashtags like #Art and #Design will compete with millions of others.
Specific hashtags like #WatercolorArt will afford your post the opportunity to stick around longer.

#Work
#BusinessPlan
#Services
#SmallBusiness
#NewBusiness
#Account
#OnlineBusiness
#GrowthMindset
#Growth
#Ambition
#Hustle

Are you following your favorite influencers on Twitter and Instagram?
Take tips from them on which hashtags they are using!

Top Social Media Hashtags for Creative Business Owners

#Idea
#Art
#Design
#Inspiration
#Artist
#Creativity
#Collaboration
#Creative
#Education
#Motivational

Question: How many hashtags should I use?
TrackMaven did a study, and found that posts with nine hashtags received the highest engagement.
Instagram allows the most hashtags, at 30. It’s best to use minimal hashtags on Twitter due to the
character count.

#GraphicDesign
#Logo
#DesignInspiration
#Illustration
#DigitalIllustration
#Branding
#Identity
#GraphicDesigner
#Graphic
#LogoDesign
#Typography
#Illustrator
#Tools
#Adobe
#Photoshop
#Freelancer
#Print
#Templates

Consider coming up with a hashtag that is specific to your company.
Some examples from companies here in Cleveland are Destination Cleveland’s #thisiscle
and Townhall’s #TownhallorNowhere. Keep clearly using your brand hashtag and your customers just

may join in on the action, too.

#Web
#WebDesign
#UI #UX
#WordPress
#Developer
#UserInterface

#Lettering
#HandLetting
#Type
#BrushType
#ScriptLettering
#Calligraphy
#TheDailyType

#SEO
#Marketing
#SocialMedia
#OnlineMarketing
#SMM
#Video
#Google
#AdWords
#DigitalMarketing

(Instagram Specifically)
#Instabusiness
#Instasuccess
#Instaeducation
#Instamarketing
#Instaleadership
#Instainspiration
#Instainnovation
#BusinessOwner

Why You Should Attend a Design Conference

Why You Should Attend a Design Conference (like WMC Fest)

Hello current and future friends of Weapons of Mass Creation Fest,

If you have yet to hear of us, we are the premier art, design, and music conference in the Midwest. We welcome you to join us for this year’s festivities, August 18 – 20th in Lakewood, Ohio. Mahall’s, a west-side Cleveland landmark for bowling, good music, good times, and good fried chicken will be our host. If you love design, music and bowling – get ready to party with us!

Get your tickets here

If you need a little more convincing, here are some reasons we believe a design conference like ours should be in your future:

Why You Should Attend a Design Conference

Real Relationships

Conferences are the perfect place to meet like-minded people. While it’s often difficult to put yourself out there and attend an event, especially solo, it’s so well worth it. After all, there aren’t many opportunities to totally geek out with so many folks that love the same things you love, in one space, all at the very same time. It’s the ultimate time to bond, build friendships and find your tribe. When you come back the next year, it’s your opportunity to renew those friendships and it feels oh so nice. (*Hearts*) I’m biased, but there is something special about our own conference, Weapons of Mass Creation Fest, that brings our attendees close, quickly. Since we provide time for lunches, dinners, meet-ups and parties, there are many opportunities for folks to get to know one another on a personal level. And because the feel of the fest isn’t corporate, people let down their guards instantly. This results in friendships that have lasted since year one.

Direct Feedback

If you’re looking for feedback on your work or advice about building your business, get yourself to a design conference now! Next, attend as many of the talks, panels and workshops as you can and take notes! Attend meet-ups, hook up with fellow creatives for lunch and dinner. Head to the parties and not only talk, but truly listen.  Soak up all the information you can. Don’t be afraid to raise your hand during the Q and A’s and be brave enough to ask that speaker you admire the question you’re dying to have answered.

Up Your Game

Did you just create a new poster series, start a sticker subscription service or launch a new apparel line? Attending a design conference like Weapons of Mass Creation Fest is a great way to get the visibility you’re looking for. You can do this by setting up a vendor booth, hooking each attendee up with promo items (by way of their swag bags), or simply working the room like a champ, all weekend long.

If you’re looking to be more visible as a public figure, put in the effort by showing up to as many design conferences as possible. Put yourself out there and show the design community that you’re a creative that “takes up space.” Make an effort to get to know the conference coordinator(s) and have conversations with them about possibly speaking at a future event. (In person if possible.) Show them you genuinely care about their event.

Battling Burnout

Most of us have faced some amount of burnout at some point in our careers. When you put your heart and soul into what you love to do, it seems inevitable. If you’ve experienced exhaustion as it relates to your creative career, attending a conference can help. The authentic conversations are really what have helped many of us pull through. At this year’s Weapons of Mass Creation Fest, we’ll even be holding a panel on this very topic, “How to Battle Creative Burnout.” So, there you go.

Paving Your Way

Design conferences are filled with talented, connected creatives that are more than willing to befriend you and help you become a better creative or entrepreneur. If you attend, take the time to form meaningful connections (face-to-face) and then, in turn, give back, opportunities will abound. You do, however, have to put in the work, so make sure you go in ready and willing to chat up speakers, vendors, attendees, and absolutely anyone who is willing to exchange in a conversation. In this creative environment, you never know what magic will come of it.

Kick in the Pants

Inspiration is an overused word, so we’ve decided to use “kick in the pants,” as a way to describe what Weapons of Mass Creation Fest does to us. The three days are so jam-packed with activity, friend-making, and just plain fun, that we come out on the other side a tad bit exhausted, but mostly motivated unlike ever before. We feel like we’ve gotten a big old kick in the pants to go achieve, pursue our path and ya know, dance like no one is watching.

So yeah, we’re pretty into design conferences for many reasons, which is why we started our own. We’d love to see you at Weapons of Mass Creation Fest this summer, so please make it a point to come, squeeze every ounce of content out of it and enjoy. Have any questions before you come? Please ask. Hope to see you there!

WMC Fest Official Site Purchase Tickets

Gender in the Design and Creative Industries: A Panel Discussion

Gender in the Design and Creative Industries

Today, Go Media, Cleveland’s home for brand design services is adding to our series of captivating panel discussions from our annual design, art and music conference, Weapons of Mass Creation Festival. This discussion, entitled, “Gender in the Design and Creative Industries,” is not to be missed. Held during the weekend of August 15 through 17th, 2014 here in Cleveland, Ohio, the panel was moderated by Raymond Bobgan, Executive Artistic Director of Cleveland Public Theatre.

The panel features Phyllis Harris, Zoe Renee Lapin, Dane Horvath, Treva Lindsey and Rusty C. Cook.

Watch the Video

Listen to the Podcast

Subscribe: iTunesRSSStitcherSoundcloud


Cover photo by Caroline Moore

| stay tuned for news about our next wmcfest |

Become a Master Typographer: Playing with Your Food (and Other Ways to Get Creative with Type)

Header art work by Dominique Falla

Become a Master Typographer:

In this, our Become a Master Typographer series, we’ve discussed:

We’ve also shared 100 of our favorite Top Resources for Typography and Hand-Lettering. And today, we’re here for what may possibly be our favorite subject of all (and what we touched on in our Pro Tips post.) Yep, today we’re throwing all caution to the wind, thinking outside of the box and getting down and dirty with type. Just because we can.

Join us.

Think beyond type.

Now that you’re getting comfortable examining and experimenting with type, it’s time to put the pen down and think outside of the box. Today, we’re chatting with some artists who have found success in typography with other, more creative mediums. These amazing designers include tactile typographer Dominique Falla, typographer/letterer Joseph Alessio, and graphic designers Alex TimokhovskyMichael MahaffeyEcho Chen and Maria PisoniCrafting letters with materials like food and other goodies. Here’s what they recommend:

Edible Art (Coloured gum paste on cake board) created by Dominique Falla
Edible Art (Coloured gum paste on cake board) created by tactile typographer Dominique Falla

1. Find your inspiration, Follow through

“Sometimes the inspiration can come from the words and sometimes materials. If I see a new material I haven’t used before, I will often generate a project based around the textures or colours of the material so I can use it for a project. If I’m given words from a client, or a phrase jumps out at me, I will look at how those words can best be expressed through materials.

I always keep a notebook handy and I engage in a regular daily process of stream-of-consciousness writing, and this way I can record ideas as they come to me, or mine my subconscious for ideas if I can’t “think” of anything directly.

In the beginning, I was creating pieces based on personal interest, I would enter competitions and generate work for fun. Now most of my work comes about because a client has a specific project where they need a piece of tactile typography. I did a piece for Google last year where it was all about the branding for their conference. We used the Google colours and their conference tagline “Here’s to the Curious” so that was mostly pre worked out for me, whereas I did some illustrations for a Seattle University Magazine where they provided the word and it was up to me to decide how to best communicate it.” – Dominique Falla, Tactile Typographer

"Diamonds and Rust" Typography Poster by Alex Timokhovsky and Lignature Collective
“Diamonds and Rust” Typography Poster by Alex Timokhovsky and Lignature Collective

“Concentrate on your word or phrase first. My inspiration often comes from music. Spend a lot of time thinking about this phrase and how could it be realized. Make a lot of sketches, search letterforms. After that comes researching: make drafts, analyze and fix faults. When everything is okay, make a final version.” – Alex Timokhovsky, Graphic Designer

"Diamonds and Rust" Typography Poster by Alex Timokhovsky and Lignature Collective
“Diamonds and Rust” Typography Poster by Alex Timokhovsky and Lignature Collective

2. Start with the Sketch

“The medium always informs the process, but for me, everything starts with pencil and paper. Small sketches, usually just a couple of inches across—starting tiny helps to solidify the overall composition. For a typical type treatment I’ll stay on paper for a long time, fleshing it out, and sometimes I do 90%+ of the work on paper; other times I do it more quickly on paper and then take it to vector. For a physical piece, though, I make sure to test out the medium—how will the paint interact with this surface? Will this substance maintain its shape after I place it?—and it often takes a few iterations to get it just right!” – – Joseph Alessio, Typographer, Letterer

3. Emphasize Letters, Follow the Rules

“Care about every letter awareness. Materials should emphasize letters. Typography first!” – Alex Timokhovsky

TypeLimited P002 Project by Joseph Alessio
TypeLimited P002 Project by Joseph Alessio

“I’m a strong believer in fundamentals. Sometimes a creative medium is interesting enough that it can distract from a poor understanding or execution of typographic principle, but that’s never ideal. Having the knowledge and skillset to bring quality letterforms into new media is definitely as important; otherwise it’s not doing justice to the message you’re conveying! Sometimes the message might include a vernacular and handmade quality, which offers more flexibility in regards to precision, but that’s never an excuse for poor fundamentals.” – Joseph Alessio

Dominique Falla—Tactile Typographer from Camille Santiago on Vimeo.

“Mostly the “rules” around typography tend to apply to large blocks of text. When I’m laying pages out in InDesign, this is where the balance, weight, proportion, multiple families, visual hierarchy, clarity, leading etc all come to play. Generally my tactile typography pieces are one or a few words so the rules applying to legibility, clarity, balance and kerning all definitely apply, but paragraph styles and layout tend not to. The other thing to bear in mind when creating custom type pieces is that if you’re basing your design on an existing typeface, they have worked out a lot of that for you, but if you are creating custom type first, I would spend a lot of type refining that before you then render it in non-digital ways because you tend to lose legibility when you make type out of cheese for example, so you need to make sure the type is rock solid as a vector or hand drawing before you mess with it any further.” – Dominique Falla

Niedlov's Breadworks Project by Michel Mahaffey
Niedlov’s Breadworks Project by Michel Mahaffey

4. Be Legible

“What I think is important, over rules of typography, is the legibility of the final product. As a designer, my job is to communicate for my client in (hopefully) a beautiful, thought provoking way. If you can’t read what I’ve designed, then I haven’t done my job and am doing a disservice to my client.” – Michael Mahaffey, Graphic Designer, Illustrator

NL_3.1_Large

5. Communicate Passion

“The crew at Niedlov’s Breadworks has more passion for baking bread than I think most people have for anything. They’re kind of into it. It would have been easy to grab a nice typeface, set it all tight and pretty on top of a sweet bakery photo and be done with the project, but I wanted to show the amount of painstaking work they put into making their bread. That started with hand lettering their tagline “We Love to Knead, We Knead to Love.” After I felt like I was in a good spot with that, I scanned and projected the layout facing downward onto a table and got to work kneading dough. Shaping dough into letterforms is in no way fun, nor easy. I promise. But in the end I felt like I had a beautiful piece that aligned with their brand and voice.” – Michael Mahaffey

Postcards from Rome (assorted pasta on paper) by Dominique Falla
Postcards from Rome (assorted pasta on paper) by Dominique Falla

6. Understand the unique challenges

“I think taking time to resolve the typography BEFORE you work with unusual materials is really the best advice I can give. If the typography is clean and solid and working well as a vector or clean drawing, then you introduce the materials, you’re less likely to run in to trouble than if you just pull out some materials and start playing. There’s certainly something to be said for experimentation, but I always resolve my letterforms first, especially if it’s for a client. It might be the most creative piece you’ve ever seen, but if you can’t read what it says, the whole project was a waste of time.

In terms of challenges with my work, the main ones are repetitive strain injury and boredom. My techniques, especially my string ones are very time-consuming and tedious. On the larger pieces, my husband helps out so we can talk to each other and share the load. I also work with camera operators on a regular basis so it’s nice to have them to talk to. I sometimes watch movies whilst I work, or listen to music as it can be very boring. This is why I like the onsite installations the best, such as the Google project, because there are always things happening around me and it keeps it interesting. I’ve had some very late nights alone in my studio winding string that can be very depressing, so more installations please! I like people and noise and movement around me.” – Dominique Falla

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“I always approach food, paper, and other types of non-traditional typography with an open mind. It’s important to be patient and set aside a good block of time when working with these mediums. Food can be a bit difficult to work with, and it often doesn’t behave in the way you would expect it to.” – Echo Chen, Designer, Painter

creative typography

“When working with some unusual materials there’s always challenges, for example in the project shown above, I wanted to make sure that every leaf was as big as the others and the same color. As you’re not working digitally, you can’t go back with a simple “ctrl+z”. In my case I first prepared all the leaves and left them there to take the picture the day after. When I came back I found that all the leaves were dry and wrinkled. I had to do everything again. It’s always a challenge working with materials, but when the work is finished the satisfaction is higher.” – Maria Pisoni, Designer

7. Be prepared for massive rewards

I grew up in the wood shop with my dad watching him make things with his hands. The design business generally happens in a “we need this yesterday” fashion, so it’s really gratifying when I can walk away from the computer and work. Making things out of non-traditional materials with my hands is nostalgic and meaningful. I was able to share my passion for typography by communicating Niedlov’s passion for making bread to the world and I think that’s pretty damn awesome. – Michael Mahaffey

Ideas are 1% Inspiration and 99% Perspiration (Map pins on black foam core) by  Dominique Falla
Ideas are 1% Inspiration and 99% Perspiration (Map pins on black foam core) by Dominique Falla

8. Push the Limits

“So far I’ve worked with fresh italian ingredients for my Gusto piece, chocolate powder for Cappuccino, I’ve worked with cake and fondant for a 40th birthday cake, dried pasta, cake decorating gels, tea leaves and pizza ingredients. They all come with their own set of challenges and again, it’s like with anything, the ingredients need to reinforce the message. There’s no point making typography that says something different to what it’s made out of, it just doesn’t make sense, so if you can think of something that hasn’t been done yet, then do it.

I’d recommend experimenting first, food styling is one of the most difficult types of photography because you only have a certain amount of time before some ingredients spoil. You also don’t necessarily need to use the thing you’re talking about to convey the look of the thing. For example, I wanted a really bright sticky look for a piece about Gelato, but real gelato just wouldn’t work, so we used cake decorating gels instead. It gave the look l was after without using the real thing. There’s a saying in styling photography that the camera only sees the last coat of paint, which means, it doesn’t matter what it’s made out of so long as it looks real in the photo. Obviously if you’re making something for eating or installation though, then the thing needs to be real.

You should also be careful when making the real thing that it tastes good and doesn’t poison anyone. I made a typography cake in conjunction with a chef because at the launch, the piece got eaten, so we had to make sure it looked good for two hours then tasted great for two minutes!” – Dominique Falla

“There’s so much possibility out there, and so much fun to be had. Nail down your fundamentals, and then explore! Always stay away from copying—it’s simply being creatively negligent, but it’s also creatively unfulfilling and there are so many possibilities out there that you can find instead. Otherwise, there’s a world of interesting ideas out there!” – Joseph Alessio

– What creative materials do you enjoy working with? What challenges have you faced? Share with us in the comments below! –

More about:

Dominique Falla | Twitter | Dribbble | Facebook | Tumblr
Joseph Alessio | Twitter | Tumblr | Pinterest | Dribbble | Instagram
Alex Timokhovsky | Skilled in Letters Blog | Dribbble | Facebook | Instagram
Michael Mahaffey | Twitter | Dribbble | Vimeo
Maria Pisoni | Flickr
Echo Chen | Instagram

Business Perspectives for Creative Leaders part 7 of 7


My experience attending AIGA & Yale’s School of Management course Business Perspectives for Creative Leaders.

It’s Friday – our last day of class. Today is only a half day. Our debriefing session wraps up at 2pm. They scheduled it this way so people would have time to get to the airport or train station. The two classes this morning were about how to organize your company for innovation. Even as designers, we can improve the way our companies foster creativity.

Organizing for Innovation:

All of the classes, including this one, were largely taught with case studies. This is a new and interesting way to learn for me. I’m more accustom to having teachers give me a list of information to memorize. I grew up thinking of learning in a very black and white way. My teacher has the information and what they know is exactly correct. This isn’t how any of our classes were at Yale. These classes on building an organization that’s conducive to innovation went something like this. First, we read a case study about a company that was very innovative. Then the teacher prompted the students to break the business model down. The students would be the ones to describe the different aspects of the business and why they worked (with just a little leading by the professor.) Next we would try to extrapolate principles. Finally the professor would say something like: “So, what’s the right answer? I don’t know.” The point is – the world is grey. Businesses are incredibly complex things. A business model that works for one set of people can fail miserably for others. Studying these cases serve to give us a direction. Finding the right path for you or Go Media will still require implementation and testing. Having said all that, here are a few things I took away from the course.

Innovation is not just about technology. Innovation can be about how you market a product, structure a business system or even how you communicate. So, don’t assume you need a chemical engineering degree to be innovative.

Innovation is all about application. Most innovations take concepts or technology that are already well know, but apply them in a new way.

Innovation requires investment. If you don’t invest the time and money to experiment then you’re unlikely to make any innovative discoveries. A good investment might be something as simple as giving your staff half of a day once a month to work on their passion projects.

Listen to your staff. The workers on the front lines have a better perspective on how their own jobs can be made more efficient. So, make a point of letting them know you’re open to ideas on improvement and then create a forum in which they can share them.

Build innovation incentives into your business model. It’s not enough to simply say: “Hey everybody, be innovative!” You have to schedule time for them, build a structure for them to share and fund the ideas that have potential.

Don’t punish failure. This is a personal one of mine. If you’re trying to innovate, you’re going to have failures. It’s part of trying something new. If you punish people when they fail then you’ll only succeed at making them to afraid to try new things. So, encourage your team to try new things. When things don’t work out, let them know it’s ok.

Debriefing

The last class was a wrap-up and debriefing. It started with a session where we each took turns sharing our takeaways from this week. Then Steven Permut gave us his summary of the most important aspects of building and running a business. I thought this was a great guide to keep me focused on how to apply the knowledge I’ve learned this week. I will share the points that my classmates and I had, but Steven asked us not to share his insights as they will soon be part of a book he’s writing. So, you’ll just have to wait till that hits the market!

Good business decisions start with research and testing. Generally, we make too many assumptions in business. Remember that your clients drive your business! So, listen carefully to them. Apply what you learn, get more feedback and repeat. This is also true of negotiating, building your business systems or deciding how to talk to c-level management. Do your research, apply and test!

Design is valuable to business. More companies need to recognize the value of good design and integrate it into every aspect of their organizations.

Business is valuable to designers. As designers we can sometimes be too arrogant about our wisdom in the area of how to apply design to the business world. What’s ideal for design doesn’t always work in the context of some businesses. So, while we’re asking companies to better understand our value to them, we need to work harder to understand the business side of things. Only by understanding more about the business can we understand how to best contribute with our design skills.

Ask the right questions and be a consultant to your customers.

Get to know the know the language of business. Every industry has lingo. It’s important to get to know and be comfortable with talking in the language of business owners.

Humility. Listen more and talk less.

You don’t have to be a natural born business person to get good at it. These things just require study and practice. So, make the effort.

People buy holes not drills. Understand the real value of what you’re selling. When someone buys a drill, are they really buying a drill? What’s the value of a drill to it’s customer? What is the problem being solved by the drill? The customer needs a hole! The drill solves that problem. So, in effect, you’re not selling a drill, you’re selling holes. Want proof of that statement? What if someone developed a new device that used a laser to make a sharper cleaner hole at the same cost. Would anyone continue buying drills? Nope. So, obviously, people aren’t buying drills. They’re buying holes! Keep this little analogy in mind when considering your value proposition to your customers.

Be customer-centric.

Think long-term. With every decision in business, keep the long-term in mind. Keep in mind the lifetime value of a customer. Sometimes taking a loss today can turn into profits in the future.

Reframing questions makes room for innovation. This goes to the heart of this course. Your perspective on a problem will impose a structure within which you will try to solve the problem. But if you try to look at your problems from a different perspective, or, re-frame your question then you can often change the rules and find creative new solutions.

Greater value is created when you work together. A fun example of this was given in a class. Imagine an arm wrestling match where you were given 10 seconds to arm wrestle. Each time you win you get a Honda Civic. Each time your opponent wins he gets a Ferrari. What should you do? Maximize the value you can create by working together and split it! If you fight each other you might each only be able to win one car. But if you work together, you can let your opponent win 10 times in 10 seconds. That’s 10 Ferraris. Even if your opponent only gives you 2 Ferraris and he keeps 8, that’s still a HUGE improvement in value to both of you. When looking at any situation consider the net value being created. Don’t focus only on what you get.

Graduation

They actually held graduation on Thursday night so we could celebrate without concern for when our flights left town, but I decided to hold of on blogging about it until the very end. That just seemed to make sense. The graduation dinner was another lavish meal. All our professors from the week were there. It was a great time to mingle, reinforce our connection with our classmates and celebrate the experiences of the week. Jeffrey Sonnenfeld gave a mini-commencement speech and then they called us up one by one to give us our completion certificates. They were very nice and included an 8×10 glossy photo of the entire class. The course didn’t have tests. Nobody was ever in jeopardy of not graduating. But it still feels good to have a certificate. A lot of hard work went into this week and will continue into the foreseeable future.


Graduation mixer


The class of 2012

So, was it worth it?

Well, I’m a pragmatist. I went through this course with the skeptical questions of: “How can I apply this information to my business today? And, what’s it worth in dollar value?” So, I’ve left with a notebook full of ideas that I plan on implementing over the next year. I think they will easily give me a good return on my investment, but, we’ll see. A better question might be: Having taken the course, would I recommend it to others? The answer to that is easy – heck yes. The experience was amazing. The teachers are the beast-of-the-best. I think the networking was powerful. The knowledge itself is invaluable and I can’t give enough praise to the level of service we received. From the food to the hotel to the attention to details by the professors, the service was legendary. If you have an opportunity to go, do it.


Me and Steven Permut – the host with the most.


Time to put this education to work.

Business Perspectives for Creative Leaders part 6 of 7

My experience attending AIGA & Yale’s School of Management course Business Perspectives for Creative Leaders.

**These last two posts were delayed due to the internet being out at our hotel following a big thunderstorm.**

Before I get into it, here are two images:


This is Pepe’s Pizzeria. They hold the distinction of being America’s very first pizza place.


I’ve been talking all week about how good the food is. This is actually a relatively simple sandwich bar they had available to us as a mid-day snack. Most of the meals were buffet-style sit-down meals. There was also the week opening and closing dinners that were restaurant-style service.

It’s Thursday night. We only have one more day of classes before our week is complete. I’m feeling a little sad as I contemplate packing my bags. I feel like I’m making such great contacts and learning so much that I hate for it to end. Admittedly, I could not maintain this pace of writing, studying and eating indefinitely, but I think one more week would fatten up my belly and brain to just the right amount. Fortunately, I have about a year’s worth of recommended reading. So, the value provided by this course will continue to unfold for a while. And all the professors have been gracious enough to share their contact information and encourage us to contact them. What a wonderful source of power and influence! And with that beautiful segue…

Power and Influence

I found this class really interesting and am eager to read more on the subject. While we learned a ton this week, most of these classes are normally taught over an entire semester – or two. So, really what we’ve been given in class is a good overview, some important details and some perspective on how each subject relates to “creatives” in particular. And of course we’ve been given a long reading list. So, taking this course at Yale isn’t enough. No, you can’t learn everything there is to know about business in one week; even if it’s taught by some of the smartest and funniest professors in the world. Sorry.

Power is important and you should work at building it. There is a false perception in society that the pursuit of power is inherently evil and self serving. You need to get that thought out of your head. Don’t confuse having power with how power is used. You can just as easily use power to raise money to help the poor as you can use it to take advantage of someone. And don’t be naive and think you don’t want power. We all want to get things done – guess what’s really helpful when you want to get some stuff done: POWER!

Here are some other reasons you should work to build your power and influence: People with power live longer and are happier. This is partly due to the fact that they feel more in control of their circumstances. When things are bad they take action to change them. With power, people feel a sense of responsibility for others around them, so they work harder. Power stimulates the brain. Having power forces you to develop your discipline and stamina. When you don’t build and use your power it will atrophy.

Power is not typically attained through a series of tricks and shortcuts. Most of power is accumulated over time. It takes time to build coalitions. It takes time to show you’re a hard worker that others can count on. It takes time to develop expert knowledge. So, don’t expect to read a book and become all powerful.

The key traits that make a person powerful can all be learned (or at least enhanced.) The assumption that some people are just born with “it” is wrong. So invest the time in learning and practicing how to build and use power.

First and foremost power comes from merit. People are powerful because they’ve earned it. And conversely, the fastest way to lose power is to do a bad job and let people down. Just imagine a football coach. If he wins he’s considered brilliant, everyone will follow what he tells them to do. He’s powerful. What happens when he loses? His power is diminished. The players and press begin to question his judgment. He loses his sponsorship deal with the local car dealer.

There are different types of power. Know your weaknesses and develop them. A well balanced set of power types is stronger than just one. For instance, there is direct power (also known as legitimate power). Direct power is like the power of a boss over their employees. Direct power is easy because it takes little effort to use. A boss doesn’t have to work to get their employee to do something, they merely need to tell them to do it. If the employee doesn’t do what he or she is told they might be fired. But there are also softer powers. For instance, there is referent power. That’s power derived from people admiring or respecting you. An example in the work setting might be a peer, who isn’t your boss but someone you greatly admire. They’re powerful because they can get people to do things because people look up to them.

Following on this concept of different types of power, it’s important to understand and have a variety of power types. The more ways you can exert power, the more effective of a leader you’ll be. So, your boss may be able to bully you because he has legitimate power over you. But are there negative effects for him if he’s a bully all the time? Of course! His staff might start peeing in his coffee mug! Or he might lose power because his staff might go to the owner of the company and demand he be fired. So, he can be MORE powerful if he can learn to use other forms of power. So, you too need to understand the forms of power and practice different ways to enhance the forms of power that you’re not strong in.

The optimal type of power to use is based on the situation. You need to understand the situation and select the appropriate form of power to use. In other words, sometimes you do need to be a bossy jerk.

Recommend Reading:

Power: Why Some People Have It and Others Don’t
by Jeffery Pfeffer

C-Level Conversations

(talking to really powerful and important people)

This was a subject that was kind of important to me. Go Media has definitely reached the point where landing projects with a local start-up will not help grow our business. We desperately need to get in front of and then have effective conversations with top management of large companies. That’s what this course was all about.

First, don’t assume that they’re like you or me, or even anyone you know. If someone has ascended into a position of great power and prestige, they are likely not typical. Assuming so would be a big mistake. One common theme we’ve been getting this entire week is RESEARCH. And it doesn’t stop with C-Level Conversations. You need to get to know your “mark” before you attempt to engage them. The more you can learn about them the better. Try to figure out what’s important to them. Are they interested in making more money, building up their power or saving the rain-forests. Your research will help you figure out how to frame your conversation.

Be brief. Look – if they’ve ascended to a position of power, they’re probably busy. So, don’t waste their time. Talk fast and get to the point; unless of course they’re from Texas. Then you should take your time, tell lots of unrelated stories and generally talk very slowly (fyi – that’s a comment about understanding a person’s culture, NOT an insult about the intelligence of Texans.)

Create value for them. If you’ve done your homework, you know what’s important to them. You also obviously know what you want. So… …do I have to spell it out for you? Develop solutions to their problems that ALSO give you what you’re after.

Know what type of power to assert. A C-Level person is going to be far less interested in what you have to say if they don’t see power and influence in you. But there are many types of powers. So, what type of power do you have? As designer’s we have expert power. We have a very specific set of skills and knowledge. We’re teachers. We have knowledge that they want. Make sure you’re communicating the value of your wisdom as it relates to their aspirations and problems.

Law and Management I & II

Our legal course was another one of those subjects that will be difficult for me to distill down into bite-size pieces that you’ll be easily able to apply to your day-to-day operations. One disappointment that I had in these classes was the fact that we didn’t learn much about intellectual property. It was on the syllabus. I’m sure we were supposed to learn about it, but I think we got off topic and wasted a lot of time discussing insider trading. It was an interesting conversation, but quite frankly I’m really not worried about that subject. So, unfortunately, I’ve got nothing on that topic. I guess my takeaway is this: Intellectual Property was on our syllabus, so it’s probably important. You’ll have to figure out how to learn more about this subject on your own.

Here are a few tidbits that I did get from the legal class:

Intent matters. You can build two identical companies: same technology, same processes, same systems. And by the simple act of marketing them differently, one can be legal and one can be breaking the law. An example of this is peer-to-peer networking software. If you run ads for one that say: “Steal all the music you want!” Your business is breaking the law and will get shut down. But run ads that say: “Share your family photos more easily!” And you’re ok.

Be proactive. The earlier you can involve legal counsel on a new business idea or negotiation the better. It’s far cheaper to understand the law up-front and structure your business with that in mind than it is to get sued or have to dismantle your business and rebuild it properly. As you can see in the example above, it might be something small that can have a major impact on your business or contracts.

Operate morally and ethically. If you simply run your business in a moral and ethical way, you’re probably not breaking any laws. Moral and ethics was actually a topic that came up in almost all our classes – more than I would have thought. I know it’s a very important subject to Go Media. You’ll often hear the president of a publicly traded company explain their immoral behavior by saying: “I have an obligation to maximize the profits of our share holder.” Our professor said this is absolutely not true. There is no moral, ethical or legal responsibility of the leadership of a company to maximize profits. Certainly stock holders are usually hoping they’ll maximize profits. But their real responsibility is to the benefit of society as a whole. Their (and your) decisions about how to “maximize profits” needs to consider the full impact on society.

Be involved in your legal discussions. Lawyers are humans too. When working with lawyers you shouldn’t “bury your head in the sand.” Some lawyers may not be as ethical as you are. Just because you can do it within the letter of the law does not mean you should. So question your lawyers, make suggestions and work with them.

Ethics come from the top down. As owners of businesses or leaders in the industry, people in your organization will follow your lead. So, start with yourself.

Recommended reading:

Winning Legally
by Constance E. Bagley

One day left!

Business Perspectives for Creative Leaders part 5 of 7

My experience attending AIGA & Yale’s School of Management course Business Perspectives for Creative Leaders.

I’m exhausted. I really need some sleep badly. If you decide to take this course – which I highly recommend, don’t plan on blogging at night. It’s not really possible. At least, not without sacrificing something. I’ve been running on pure enthusiasm up until today. I was having a REALLY hard time staying focused in the accounting class today. So, I am going to keep this post VERY short. I still have important reading tonight and then desperately need to get a real night’s sleep.

No photos today. I’m too tired.

First the accounting. I’m really not going to be able to reasonably teach you anything here about what I learned today. However, we’ve been given some great reading recommendations. So, here’s what we were told to read on our own time:

  1. How to Read a Financial Report – free online pdf
  2. Financial Ratio Tutorial – free online pdf
  3. Analysis for Financial Management by Robert Higgins

The latest edition(10th) of Robert Higgins’ book is fairly expensive – around $100. But it’s extremely well reviewed. And is known as the book on finance that’s written for a layman. So, if you want to learn more about finance and the accounting side of your business but you’re not a “numbers” person. This is the book for you.

The second half of our day was spent on learning negotiations. I LOVE negotiations, so this class was particularly fun for me. And it translates well into practical pearls of wisdom. So, here are a few of them. Enjoy!

Negotiation Techniques

Negotiate with “friendly aggression.” Basically, most people do not push hard enough for what they want. But you must remain extremely friendly while you’re arguing for your side. Be courteous, don’t insult them and do anything you can to help them save face.

Start high. Your opening bid should be as high as possible without being insulting or completely unreasonable. This has a whole slew of beneficial effects. One is that people will perceive you as being more valuable simply because your high number has framed their perception.

Do research! This is a constant theme throughout all of the classes here. You need to invest the time and do the work. If you’re buying a new car you need to get as much information as possible before you start a negotiation. You should try to find out what the dealer’s cost is for the car. You need to find out which dealerships offer the best prices. You need to consider what other options you have available. Can you buy a used car for much less and be satisfied? You also need to figure out your walk-away price. It’s easy to get caught up in the emotions getting a new car and pay well over what you really want to.

Related to that last point is knowing when to take a break. If you’re caught unprepared for a negotiation or are feeling confused – then stop the negotiation, take some time and re-engage in the negotiation when you’ve had some time to gather your emotions and your thoughts.

Don’t be afraid to ask. The simple act of asking for more will get you more. You’d be surprised what you can get if only you’ll just ask.

The person you are negotiating against doesn’t have to lose in order for you to win. Sometimes you both want the same things. So asking lots of questions is key. And telling them absolutely everything you want is important. Because maybe they can’t give you some things, but they can give you more of something else. For instance… maybe the rules a human resources rep has will not allow them to pay you a salary over 50k. But maybe they have no limit on signing bonuses. So, if you want 60k, there IS a way you could make a deal. Just take 10K as a signing bonus! These kinds of solutions can only be discovered if both parties are sharing information.

Stay quiet. Don’t talk too much. Most people reveal too much. They negotiate with themselves. That’s not good. “But WAIT!” you say. “Bill! You just told me in the previous point to SHARE MORE. Now you’re telling me to share less! What gives?” Ok, here’s what’s important; you want to be sharing information, but it needs to be equally. If you tell them: “Hey, here’s what I’m really after.” Then you should follow that up with this question: “So, what are YOU really after?”

Make equivalent offers. By giving the other party two equivalent but different offers, it will give you information about them. For instance, from the previous point – a 60K salary and a 50k salary with a 10k signing bonus are the same to you – they’re equivalent to you. But when the HR rep says they can accept one offer and not the other, you’ve learned something! You’ve learned that their constraint is only on the salary, not on other items. Great, so now you can negotiate on other points – how about more vacation? How about a company car? Basically, you’re creating more value for yourself while working within the negotiating ability of the HR rep.

Practice your flinch. Huh? Flinch? What the heck are you talking about? Well, you practice a good handshake don’t you? A good handshake is a way of communicating: I’m strong, confident and decisive! Well, a flinch is also a great way to communicate. When someone gives you an offer and you FLINCH what are you saying? You’re probably saying: Holy f-ing heck! That’s too little (or too much depending on your perspective.) It’s a great way to communicate your dissatisfaction without insulting them. And it’s read as purely genuine. Who fakes body language? I’ll tell you who; a good negotiator.

Those are just the tip of a very large iceberg of what I learned today.

Recommended Reading

Ok… That should get you started. BED TIME!!!

Business Perspectives for Creative Leaders part 4 of 7

My experience attending AIGA & Yale’s School of Management course Business Perspectives for Creative Leaders.

Fair warning: I’ve been drinking – a lot. AIGA and Yale’s Business Perspectives for Creative Leaders course is NOT like any educational experience you will ever have at ANY university. We’re on Fantasy Island here folks. This is a place where you drink from, then spin a giant silver cup on your head. There are Spizzwinks here. The caramel popcorn here has bacon in it. This is a place where you study manufacturing principles by building sail boats out of Bristle Blocks. Here kindly old professors make the entire class sing Who Let the Dogs Out and then suddenly start stripping in the middle of the lesson – for realism. This isn’t education it’s performance art. They need to take this course to Broadway. I am easily laughing as much as I’m learning. I would like to give a shout-out to our “Mr. Roarke” of this Fantasy Island – Mr. Steven Permut. He has the enthusiasm of a 12 year old on Christmas morning. His energy is infectious. Thank you. You’re my boy Blue! (I did say I was drinking earlier right?)

Ok, a few photos, then let’s get to the k-nowledge.

Here are the Spizzwinks; Yale’s oldest underclassman a cappella group. They sang to us during dinner.

This is Mory’s Cup – one of many such large silver cups. It’s filled with some crazy mixed drink.

Once the cup has been picked up, it cannot be put down until it’s empty. It’s passed around the table and everyone takes a turn drinking from it. I think our table drank six of them – along with our beer and wine.

Who ever finishes the cup must lick the entire rim three times, then spin the cup on their head three times. Finally, they slam the cup onto the table upside down. If a single drop of alcohol is left on the table, they have to pay for a new cup!

This is Arthur Swersey. This is him after he stripped out of his suit down to these surgical scrubs. The case study he was explaining was about a hospital’s service model. I wonder how my classmates sitting in the front row felt when he started unbuckling his pants.

I do apologize for the quality of all my photos in this series of posts. I’m only using my cell phone. I figured you’re not really reading these posts for the images anyway right?

Now, today’s lessons will not translate quite so easily into neat bullet points of insight like yesterday’s classes. Today we studied the concepts behind what’s known as LEAN manufacturing and we got started on the first part of our accounting classes. We will be finishing those up tomorrow. So… I only have a few thoughts that passed into my mind as I was sitting in class. And I’ll also recommend some reading that might help you consider the knowledge this course considers important to our businesses.

First, try to think of your business (selling design services) as a product manufacturing plant. Instead of building cars, you’re building websites. How does the project flow through your organization? Who does quality checks? Are your employees specialists or can they do several jobs? Are there bottle necks in your process? Are some parts of your company over-producing with the anticipation of need? Lean manufacturing suggests that you only do work the moment it’s needed. How can you get faster? If you’re working with vendors like photographers and copywriters, how can you shift more of the work burden onto them? Can the copywriter populate the website with their copy?

You should do some reading on Poka Yoke systems. It’s all about building systems through design that “fool-proof” the results. A good example is a camera’s SIM card which can only be put into a camera one way. As designers we have lots of opportunities to “fool-proof” our clients products and websites. But it takes extra thought.

Toyota became a great company because they had such amazing quality. It was built into their culture. Anyone on a Toyota assembly line can shut it down with the pull of a cord if they found a flaw. This kind of power put a lot of pressure on everything to be extremely high quality. Because even one defect could shut down their entire plant. But they also had great quality because they built it into their systems. A good system demands and ensures a good outcome.

Demand for your services are not consistent. Of course it would be great if you could build one website a month and each month on the first of the month a single client called you with a web dev project. But that’s absolutely not how it happens. Instead, you’ll get three projects in one month, then none for a month or two. Consider what you do when three arrive at once? What can you do while you’re idle so you can work faster when those rushes arrive? Is it possible to pre-build certain re-usable parts of a website in advance?

Suggested Reading:

Here is an article I found about applying LEAN to the service industry from Harvard Business School

Here are some other books that have been discussed amongst the “students.”

Thanks to Mark Badger for putting this list together.

I’m so tired. More tomorrow!

Business Perspectives for Creative Leaders part 3 of 7

My experience attending AIGA & Yale’s School of Management course Business Perspectives for Creative Leaders.

Ok, wow. I’m pumped.

Today was better than I had expected. Knowledge is power. At least, it feels like I’ve just acquired a super power and I’m ready to lift Go Media over my head and carry it up to the promise land. Here are a few brief thoughts on my first day of classes:

The course is very aptly named. As you’ll read shortly, they are really teaching us new ways to look at our business. These new perspectives empower you to have radical insights into how you could improve your company. So, they don’t tell you: “Here is the formula for your business, now go apply it.” Instead they say: “Here is a new way to look at your situation. What do you see?”

The information is incredibly pragmatic. I had a few fears coming into this course. One was that they were going to be teaching us highly theoretical concepts that were not easy to apply at Go Media. Not so. Not only was the information incredibly applicable, they were even very respectful of the realities of life. For instance, they might follow up a concept by saying: “Of course, business is a constantly evolving science. This concept might be applicable now, but fall apart in a year. You need to be constantly vigilant in listening to the market and finding what works.” Also, they frequently said: “This is the concept you’re working towards. But I don’t have to pay your bills. We understand that this is a process.” I appreciated that level of humility and candor. They gave many examples of failed businesses and would say: “And these were well funded, incredibly intelligent people!” It’s just nice to hear a Yale professor basically say: “Hey, business is tough.”

The professors are amazing. They’re brilliant, funny and experienced. Another fear I had was that these professors would be “academics” with no real world experience. I was wrong on that too. Our two professors today had vast experience in the business world. Our second professor today, Barry Nalebuff, was the co-founder of Honest Tea (which he sold to Coca-Cola.) He was an adviser to the NBA in their recent player negotiations and he’s written six books – among other things. Basically, these professors are no joke. I wonder if I would have been an even better student if I had such brilliant professors growing up. I certainly appreciate them now!

The accommodations continue to be first-class all the way. Thank God I’m only here for a week. With food this good I’m sure I’m packing on the pounds fast. How can you pass up chocolate-dipped strawberries, organic brownies and chocolate mousse in an egg-shell. I mean seriously, this is ridiculous. Not only that, they continue to gift us. Today I got an embossed leather notebook. Even if I hated the lessons today (which obviously I didn’t) I would owe them a nice review based purely on the gifts they keep giving us!

I do have a few pictures, then let’s get to the stuff you REALLY care about – the knowledge!

The Beinecke Rare Book and Manuscript Library. Yesterday I posted a picture of the outside of this funky building. Yes, those are translucent marble walls. Let me say it again; r-i-d-i-c-u-l-o-u-s!

This is the Yale Commons dining hall – used in the Harry Potter movie!

This is a mirror in The Study Hotel. I SWEAR they put these flattering mirrors in hotels. They are warped just enough to make the viewer look taller (skinnier) than they actually are. It’s brilliant. Every time I’m waiting for an elevator I’m staring into the mirror thinking: “Well, alright! I think I’ve lost a few pounds.” But deep down I know it’s just a lie.

Now, before I share this information with you, let me just say; There is no way I will possibly be able to recap all the wisdom that was taught to me today. I won’t even try. Also, I need to have a certain respect for the work that has gone into this course. It wouldn’t be fair for me to publish all the slides I’ve been provided or copy the text verbatim. So, I’m going to do my best to sum up some of the concepts in my own words. And hopefully, you’ll be able to explore them further and put them to use.

Some wisdom from my classes in no specific order:

There was a great emphasis put on getting to know and understand your customer. What is actually valuable to them? Why didn’t they hire you? I know we all THINK we know what our customers want. But do we really? When a client does not accept your proposal do you offer to take them out to lunch so you can ask them what specifically made them hire a different firm/designer? It’s not always easy to get this information from clients. So, that’s your challenge. How do you do a better job getting feedback. Why do they hire you? What are their needs? How can you improve your company? It is the CUSTOMER that determines what the business is.

You can decide who you want to work for and target them. But do you really know who you want to work for? Who is your ideal customer. It’s easy to think: “Well, I want to work for NIKE!” But in the real-world what are the true implications of working with Nike? Will you get to do branding? Will you have lots of creative control? Will it be a bureaucratic free experience? Probably not! Maybe a small start-up is actually a better customer. Do a pros and cons analysis and think about who your true ideal client is, not your perceived ideal client.

Keep your value proposition short. It’s called “resonating focus.” You determine 2-3 of the MOST IMPORTANT values to your customer and focus on those. Creating long lists of benefits or attributes of your company or product will only dilute your sales pitch. Again, this requires research! You have got to get to know your customer.

When making decisions, you should always consider the lifetime value of a customer. If you’re focused on the profitability of one project, you’ve got the wrong perspective. You must identify your very best customers and treat them like gold – even if that means losing some money in the short term.

When trying to build your customer base, don’t waste your time trying to sell your services to non-customers. Instead, try to focus on selling more to your existing customers. It’s always cheaper to up-sell an existing client than it is to get a new customer.

When thinking about growing your business, it’s easy to focus on trying to steal a bigger piece of the “pie” from your competitors. Here’s another thought: make the pie bigger! Sometimes your competitors are also your complementors. It’s a grey world! Don’t assume you need to defeat your competitors in order to grow your business. A good example is two bars located next to each other. Are they competitors? Of course. But they also complement each other. Bar goers like to “bar hop.” They can’t bar hop if there is only one bar! These bars might want to get together to open a third bar. Now people can bar hop even better. The net result is that more people will come to their bars because they’ve build a bar district. They’ve worked together to increase the value of both of their bars. They’ve made a bigger pie! Consider what businesses complement yours. Figure out how to leverage that to grow the pie!

Suggested reading:

Professional Services marketing by Mike Shultz and John Doerr

Co-opetition by Barry Nalebuff

The Art of Strategy by Barry Nalebuff

Ok, so, I think I’ve given you enough to think about for one day. Find a dark room and ponder these questions. I better get some more reading done before I hit the sheets.

Business Perspectives for Creative Leaders part 2 of 7


My experience attending AIGA & Yale’s School of Management course Business Perspectives for Creative Leaders.

Ok, so this will probably be my least informative post in this series. But I want to give you the complete experience, so despite the fact that today was just a check-in and orientation program, I wanted to share it with you.

I got up at 5am and was in the air to Philadelphia by 6:46. I had a 2 hour layover that I used to work on my prerequisite reading. The small propeller plane that took me into the one-gate New Haven airport was loud and a little bumpy but otherwise uneventful. The only scary aspect of the trip to Yale was my taxi driver that seemed to think he was a NASCAR driver. At one point he gunned the motor to cut off another driver who yelled audibly “Asshole!” To which my driver yelled back: “I know!” Then he hooted loudly and said: “Now I’m awake!”

The Study Hotel where I’m staying is super modern, contemporary and swanky all at once. It’s the sort of place that makes you feel cool. This hotel is cool. I’m staying here; therefore I must also be cool. I was exhausted so I took a quick nap then ran down the street to grab some snacks from Walgreens. At 3pm we were given a preliminary tour of the campus. It’s mostly ornate stone buildings that look like well preserved 16th century castles, churches and mansions. Mixed in are a few highly artistic ultra-modern bits of architecture. And most intriguing of all was a low lying, unmarked fortress of a building that houses Yale’s secret society similar to the Skull and Bones of Harvard.

Yale’s Secret Society Building.

After the tour one of the social sciences professors gave our group a series of team building exercises. We spent some time getting to know each other in a traditional manner. Then she coached us a bit on how to really get to know someone. Basically, the conversations went from things like: “Where do you live?” to things like: “What are you passionate about?” After that it got even more personal. She asked each person in the group to share a defining moment in their lives. Boy did it get personal. It felt like a group therapy session. I think I saw a few tears. It was really powerful in helping our class bond. After a few more get-to-know-you team building exercises we were adjourned to dinner.

Dinner took place at the Sterling Memorial Library. It started with complimentary drinks and fancy appetizers on the lawn outside. They had a string quartet playing music as our class continued to mingle. I don’t consider myself the most outgoing person, but everyone here is amazingly friendly and sharing, so it is relatively easy to strike up conversations. Earlier we were provided short bios on the attendees. They’re all very impressive. That combined with the atmosphere and the difficulty of the learning I’m facing has me feeling very privileged to be here. After a few drinks we went inside for an amazing dinner and more drinks. The senior associate dean for executive programs and the executive director of AIGA gave opening speeches welcoming us and giving us a history and overview of the course.

When I returned to my hotel room there was a gift bag with an embroidered TEC running jacket. Wow. I’m really feeling special now.

So far I have been thoroughly impressed with the accommodations, treatment, food and atmosphere. It’s late, I’m tired and I still have an hour of reading to do before I go to bed. Class starts at 8am tomorrow. I’m excited!

Business Perspectives for Creative Leaders part 1 of 7

Business Perspectives for Creative LeadersMy experience attending AIGA & Yale’s School of Management course Business Perspectives for Creative Leaders.

When my partners and I started Go Media many years ago, none of us had any formal business training. What we had was a passion for design, a willingness to work hard and the belief that we could figure out the business stuff over time. And for the most part, we have been wildly successful. We’ve been featured in design magazines around the world. We’ve been building a robust community through the Zine, Arsenal and WMC Fest. And we’ve worked for many companies large and small. But it hasn’t been all sunshine and roses. Go Media has always struggled with profitability. In 2009 when the economy collapsed we were forced to lay off four employees. And since then the company has been stagnant (in terms of annual cash flow.) And due to this stagnation in sales, our staff (including the owners) have had to accept below market wages. Last year we lost one of our very best employees to a company in California because they offered him over twice his current salary. This was a terrible blow to our company and our hearts. We knew something needed to be done.

Our strategy of “figure it out over time” business education has been working to a large degree. We have learned a ton. In fact, I’m writing a book about everything I’ve learned while building Go Media. However, there comes a time when asking your staff to “hold on till next year for a better salary” starts to get old. We realize that we needed to make a change. And after 10+ years of trying to figure it out ourselves, we’ve realized that maybe we don’t have all the answers. We need some outside help. About the time we were coming to this realization I received a flyer in the mail from AIGA for their Business Perspectives for Creative Leaders course at Yale University. In a snap-shot, it’s an intensive week long business course at Yale created specifically for “leaders” in the creative industry. It sounded like exactly what we needed.

The course has an application process and a hefty fee. At the time it seemed like more than we could possibly afford. But my partners Wilson and Jeff felt very strongly that the knowledge gained would well outweigh the costs. So, we decided to make the investment. One thing about surviving in business – you must continually fight. You must work constantly to improve your service and build more efficient business processes. If you just wait around for things to get better on their own, you’ll be out of business soon.

So, as part of my desire to get as much value as possible out of my trip to Yale, I’ve decided to write this series of blog articles. Each night after I’ve finished with my classes I’m going to recap my experiences for you. I’ll be including some useful tidbits of business information along the way. Hopefully this trip will help more artists than just Go Media.


My experience so far

After being accepted into the program, I’ve received regular correspondence from Yale. They set up a Linked In group so the participants can get to know one another. They also have a nice website that includes general instructions, class itinerary, professor information and additional registration information. The website also has prerequisite reading – tons and tons of reading. I got started last week and still have a pile of case studies to read before heading to Yale on Sunday. Lastly, I’ve received a call from the faculty program director. He asked me lots of questions about Go Media and what I hoped to learn from the course.

I’m very excited about this opportunity to learn. I’m dearly hoping to gain insights necessary to push Go Media to the next level. Our staff is amazing and truly deserves leadership that will deliver on the promises we’ve made. And I’m eternally grateful to my partners for pushing me to do this. So, keep an eye out for articles each day this coming week as I share some of my new found business perspectives with you.

More information about this program can be found here: www.aiga.org/business-perspectives

Next post will be coming tomorrow night!